The next seminar of our Inventions of the Text series features Dr Barry Shiels, looking at the figure of the blush in Irish modernist literature. Everyone is welcome to attend at the Department of English Studies, on 16th November, at 17.30.
In this paper I offer my take on the question of what a red face means in literature; specifically, given the odd position of Irish-ness within the history of English sentiment, I want to think about what an Irish red face means. To do this I shall consider the discursive history of the blush as it has made itself felt on the different faces of Irish modernism.
Today, when we consider the face at all, we tend to think not so much about traditional portraiture, and more about technology -Facebook, Face-time, face recognition- as well as reiterations of older debates regarding the status of the veil and the gender politics of facial exposure. Such contemporary concerns, however, remain inexorably tied to questions of reading, where the face communicates itself as plot device and character function, signifying age, race, class, and the lines of desire that create the temporality of a narrative. Through exploring the figure of the blush, I shall argue that there is a progressive defacement at work in the canonical texts of Irish modernism, that there are cultural reasons for this, but also aesthetic and narrative consequences which continue to be of relevance to how we read.
For further details, find Inventions of the Text on Facebook.